The hardest part is thinking that I'm going to wreck it (after spending two hours on the drawing) but really ... at this point, I have my ways to fix most ANY mistake. AND I find if I take the time to get my mind into the painting - I mean get right into the scene: the colors, the day that it was - step through the looking glass and BE there - I don't make mistakes. (well, sometimes a wet brush goes flying out of my hand or something, but other than that... ) This image is a conglomerate of a beloved scene- from a mother to her daughter who now lives abroad.

So once I got at it, it went smoothly - the first "layers" are on and generally everything is looking good. I'm trying to be BOLD, like I tell my students - and just go for the right color right away. This painting is much bigger than I normally work, but some clients just don't get it. They see my small work, love it, and then contact me about a larger painting. >sigh< So today I got all the basic forms and first colors down, not bad.
(whenever I type "today" I always type "toady" and then have to backspace and fix it to say "today". I kinda like 'toady' though... some today's are rather toady...)
You're amazing! Great blog
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